Action / Crime / Drama / Mystery / Thriller
Action / Crime / Drama / Mystery / Thriller
Now a hard-working life insurance salesman and a caring family man, the former police officer, Michael MacCauley, has taken the commuter rail to New York for the past ten years. But, unexpectedly, things will take a turn for the worse, when on one of his daily journeys, the cryptic passenger, Joanna, makes Michael a generous and tempting offer to locate a single commuter or face grave consequences. Is this a sick joke, or is this indeed a serious situation? As Michael races against the clock to solve this wicked conundrum, everyone aboard is a suspect, in a deal where there's definitely more than meets the eye. Can he decide in time who's the one?
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April 05, 2018 at 09:47 PM
P/S 515 / 2,217
Fun movie, worth seeing on a big screen with big sound
Neeson creates a likable, sympathetic character. This is necessary for the heightening of tension, which screws on inexorably until you just don't see any way out for him.
The camera-work was particularly masterful - creative, meticulous, thought out to a granular level. There are two particular action-pieces towards the climax that are breathtaking, at least one of which looks like (but surely isn't) a single, extended take. The camera defines space and gravity, and is part of the expeience.
Yes, there are some credibility straining factors. But it is after all a movie, not a procedural. On the other hand, there are some very neat surprises.
Glad we saw it!
Liam Neeson played by Liam Neeson. You've seen it before. But, it's still entertaining.
There are certain actors in Hollywood that are so one-dimensional, but they play that one-dimension spot on. Liam Neeson is one of those guys. Another example is Jason Statham. Their roles are all the same, scripts slightly tweaked, yet the movie passes of as decent-to-good almost every time (except for the Taken sequels, but that isn't on Liam).
Bottom line is, it's basically the movie non-stop, but on a commute instead of a plane. Liam Neeson plasy his same old self and plays his usual one-dimensional badass role. He did his job once again. This movie will bring in okay-enough numbers, and we will be presented with Liam Neeson's next challenge in about another year.
Same old, decent-enough action movie.
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"This train is freaking me out".
"The Commuter" is not a good film. You know that I'm not a prude about action films: "Die Hard" is one of my all time favourites and I even gave this actor/director combo's previous outing - "Non-Stop" - a rather generous three Fads. But like many of my commutes, this is a hundred minutes of life that I won't get back again.
Liam Neeson ("A Monster Calls", "Taken 3") plays Michael MacCauley an insurance salesman (no, I'm not making it up) who of course used to be a police officer with a certain set of skills. With advancing years, a couple of mortgages to keep up and a son about to go to college, he is financially rather exposed.
When a bad day turns worse, the commuting MacCauley is approached by a mysterious woman (Vera Farmiga, "The Judge", "Up In The Air") who offers him a financial bail-out for doing "just one small thing". No, it's not for sex in the toilet... it's to use his familiarity with the train and its normal passengers to find the person that 'doesn't fit there'. For there is a lot at stake and MacCauley is drawn into a perilous game where his own life and the lives of his son and wife Karen (Elizabeth McGovern, "Downton Abbey") are put at risk.
What the inexperienced writers (Byron Willinger, Philip de Blasi and Ryan Engle ("Non-stop")) were clearly shooting for was a Hitchcockian "ordinary man in deep-water" style flick of the James Stewart "North by Northwest" variety.... but they really miss this by a mile. With the 65 year old Liam Neeson - here playing 60 - performing acrobatics on, under and across an express train, belief is not just suspended - it is hung drawn and quartered! The action is just ludicrously unrealistic.
The plot also has more holes than a moth-eaten jumper. Omnipotence of the villains is evident, but never explained, and while they are fiendishly clever in some aspects they are face-palmingly stupid about others. (No spoilers, but the threat to MacCauley's family is mind-numbingly foilable).
A 'major event' at the end of reel two (if you've seen the spoilerish trailer you'll know what this is) leads - notably without any 'consequence' - into a completely ridiculous final reel that beggars belief. It also includes a "twist" so obvious that the writers must have assumed an IQ of sub-50.
This is a film that melds "Taken", "Non-stop", "Unstoppable", "Strangers on a Train" and - most bizarrely and cringe-worthily - "Spartacus" to create a cinematic mess of supreme proportions. I put director Jaume Collet-Serra's last film - "The Shallows" - into my Top 10 films of 2016. He'll be lucky if this one doesn't make my "Turkeys of the Year" list for 2018.